Index by title Alberto Rizzuti,VIII 2020“Portare” or “Sustinere”? A verb, a tenor and its cross VIII 2020,Giampaolo Mele“Scribere proposui”: Notes on the “Danza della Morte” in the “Llibre Vermell” VIII 2020,Lucia MarchiAntonfrancesco Doni and the madrigal in Piacenza: the “Dialogo della Musica” revisited VIII 2020,Giovanni CunegoCelestino Eccher and the study of Gregorian chant: a critical reassessment VIII 2020,Alberto DelamaLuciano Chailly’s “De profundis di Cefalonia” between civil-ethical commitment, theatricality and graphic experimentalism VIII 2020,Jesse RodinPerforming Josquin in 2021: A New Approach VII 2019,Stefania RoncroffiTwo fragments in German Sangallian notation at the Biblioteca Estense in Modena VII 2019,Bibiana VergineA Glimpse at Twelfth-Century Plainchant in Abruzzo in a Beneventan Bifolium at the Cathedral of San Pelino VII 2019,Rodobaldo TibaldiMusic for the Holy Triduum in Arezzo in the 16th century: the Piae ac devotissimae lamentationes Hieremiae Prophetae by Paolo Aretino (1546) VII 2019,Giovanni CantoneThe career of the “most excellent” Bolognese Paolo Cavalieri VII 2019,Stefano MengozziVying for the Monk: competing ideological strands in the 1882 Guidonian celebrations in Arezzo VII 2019,Marco UviettaNotes for a reappraisal of the role of a cappella choir composition Enrico Correggia,VI 2018«Videmus nunc per speculum, in aenigmate» From sign to sound: reflections on a topsy-turvey world Vladimiro Vagnetti,VI 2018Knowledge or emulation? Considerations on the importance of the “unwritten” in the interpretation of early music VI 2018,Walter Marzilli“From Sign to Sound”: From bows to the phrasing of singers in the recordings of the Choir of the Cappella Sistina VI 2018,Lorenzo Donati“Neomadrigalismo italiano”: To study the old to renovate the new [second part]
